The Holy Mountain - Albedo

"I know nothing except the fact of my ignorance." - Socrates



"The point of philosophy is to start with something so simple as not to seem worth stating, and to end with something so paradoxical that no one will believe it." - Bertrand Russell



"In philosophy, it is not the attainment of the goal that matters, it is the things that are met along the way." - Havelock Ellis

The introductory scene for this movie features the director and writer, Alexander/Alejandro Jodorowsky playing the character of The Alchemist (which he will be called from now on). The Alchemist is in the process of ritualistically cleaning two women. The process involves makeup and hair removal which he does with very smooth and deliberate movements. He acts as the zen-influenced Japanese might, where one meditates in every action with no-mind, or total awareness on the subject at hand. The next time we see The Alchemist is when The Thief reaches his tower in the center of town, right where I left off at the end of the first part of this series: Nigredo. For this and the next post I'm going to refrain from too much speculation and let you, the viewers/readers, make up your own minds as to what this stuff means. The tarot cards seen further down are especially interesting. Then the last part of this series, "Rubedo," will be all ViolatoR, baby! (That's me, incase you didn't know.)

The Thief and The Prostitute with chimp/Pan have walked out of the desert into the town. Here they find the town's people gathered for a possibly Christian meal of fish. They are all at the base of a tall red tower, and at the moment, they are all staring upward as a large golden fish hook is lowered from the only opening in the tower. The hook carries a small bag with a solar symbol (circle-dot, also the symbol for gold) which is filled with small pieces of gold. Someone takes the gold and places fruit on the hook as thanksgiving for the gold. The Thief takes this oppertunity to ride the hook back up to the tower's port-hole to murder who ever is in the tower and take the rest of the gold.

Once he reaches the portal, The Thief steps inside the circular opening to find a thin paper veil between the window and whatever lies inside. He pierces the paper-hymen with his phallic-representing knife. Once he knows it's thin and easily broken, he steps back then lunges forward through the veil into the arched room of The Alchemist.

Readers might recognize this scene from various synchromystic videos. The room its self is painted with bands of the colors of the rainbow. The arched roof of the room might also indicate rainbow symbolism, and that The Thief has "gone over the rainbow" upon breaking through the veil. As a matter of fact, the soundtrack for this part of the movie has the song: "Rainbow Room." The Thief progresses from red to violet which represents a vertical movement of the kundalini through the chakras. He is following the rope which is attached at one end to the large golden hook, and at the other end, dissaperes under the trilithon-shaped (two stones topped with a lintel, like at Stonehenge), or maybe pi-suggestive chair which The Alchemist sits upon.

original aum/om symbol

The rope, to me, feels like a spiritual umbilical cord, similar to the hook and anchor which I discuss in Opening the Stargate.

The back wall of the arched room is a golden yellow color, possibly representative of a sunrise where the sun, half over the horizen, forms a golden arch/half circle. There is a raised platform of 3 steps upon which sits The Alchemist, between two goats and two pillars, one black and one white. To his left is a 2-humped camel making it a East-Asian camel as opposed to the Middle-Eastern variety. To The Alchemist's right is a naked black woman covered in esoteric tattoos and silver jewlery, who will be known as The Written Woman from here on out.

anyone care to translate?

The Thief makes it known he plans to attack The Alchemist, so The Alchemist movies, in his typical deliberate fashion, to face The Thief. The fight is decidedly one-sided as The Alchemist appears to be trained in Tai Chi. It's been said that it takes about two years to master any martial art's style, while it can take 20 years or more to master Tai Chi, but it is the ultimate fighting style once mastered. The Alchemist disables The Theif by touching certain chakra points in a specific order. Once paralyzed and unconscious, The Written Woman lifts The Thiefs hair from the back of his neck to find a large tumor there. She slices it open as blue liquid leaks out. The Written Woman pulls out a blue-goo covered squid (?) from the tumor in the back of The Thief's neck and seals the wound with a touch.

Whatever the thing she pulls out is, it reminds me of multiple "pod people" type movies where humans are infected by a parasite which controls their actions. Or, perhaps, even the millenial Y2K movie Strange Days, where a "squid" is a device which uses electrodes to record and play back memories, so that a person can take a "memory vacation" similar to Total Recall's memory vacation business "Recall." Speaking of which, Total Recall's Arnold Schwarzenegger plays character "Jericho Cane" in millenial End of Days (same name of the protagonist in Dwane Johnson's movie script, "The Power," which his character writes in end-of-world movie Southland Tales), which brings us back to where we started when the death of a "Jeriko One" is the spark which ignites the end-of-world(-as-we-know-it) movie Strange Days. The tentacled thing that was in The Theif's neck may represent the pre-programmed behaviours that society sticks in all of our heads. Over-indulgance (in alcohol in his case), devotion to political and religious institutions, and a lust for money. The Alchemist then awakens The Thief by activating his chakra points again, whereupon The Thief no longer feels like attacking The Alchemist.

The Alchemist then says to The Theif: "Do you want gold?" And The Theif replies: "Yes." Next, The Alchemist and The Written Woman take The Thief to an octagonal fountain with a baby hippopotamus in it and give The Thief an extremely thorough bath/baptism. Much attention is paid to the end of the "human stargte." The hippo may represent the Egyptian goddess of childbirth. Taweret/Taueret; so, this is The Theif's re-birth.

Next we enter the Alchemical Room, where more practical alchemy takes place. The room is shaped like a hexagram (heart chakra) with a circular area in the middle where the alchemical apperatus is located. There is a dual-flame athanor/oven/furnace which may be based on a "pelican" design, though usually more complicated designs are left for the flask or retort (usually made of glass, or sometimes clay). Pelican flasks have two "arms" which feed back into the body of the flask, and they represent the idea of a pelican feeding it's (dead) young with it's blood (to give them life). There is also a pelican walking around the room to let you know that there's some serious alchemy going on in here!

The pelican pecking at it's white breast (to get pieces of fish that fell in there), looks like it's biting it's self to get drops of blood with which to feed it's young, and this may represent the "reddening" stage in alchemy where the white material becomes red. The pelican also represents the stage of multiplication where the power of projection is multiplied (the ability of the Stone to turn base metals to gold). The glass retort is cleary shaped as an egg, and this is what it represents: a "hermetically sealed" vessel of creation. Even the athanor/furnace is called the "House of the Chick" indicating the egg symbolism is fitting.

Many of the deifinitions of alchemical symbolism which I used are paraphrased from Sorcerer's Stone by Dennis William Hauck, including this quote here: "The mountain is a symbol for the athanor, since the perfection of the metals takes place under the guise of Nature within mountains." The anathor(furnace) is the mountain, or rather, The Holy Mountain.

When The Thief enters the room, he is given a glass jar to "relieve" himself into. His excrement is collected in it and carried to the alchemical apperatus where it will under go the same change which The Thief will undergo. Traditionally, any external progress in the Great Work will mirror internal progress of the alchemist himself.

"A soul cannot develop and progress without an appropriate body, because it is the physical body that furnishes the material for its development." - Franz Hartmann (quoted from Secret Teachings of All Ages) When the AlchemyLab.com website first opened, one had to answer a riddle before gaining access to the site. The riddle was:

"The key to life and death is everywhere to be found, but if you do not find it in your own house, you will find it nowhere. Yet, it is before everyone's eyes; no one can live without it; everyone has used it. The poor usually possess more of it than the rich; children play with it in the streets. The meek and uneducated esteem it highly, but the privileged and learned often throw it away. When rejected, it lies dormant in the bowels of the earth. It is the only thing from which the Philosopher's Stone can be prepared, and without it, no noble metal can ever be created."

Here's a more concise version of the riddle:

In speaking of the Philosopher's Stone, recieve this stone which is not a stone, a precious thing that has no value, a thing of many shapes that has no shape, this unknown which is known by all.

Nobody was getting into the website though, but some answers were pretty close; things like: consciousness, light, love, god, aether, blood, quintessence, etc. Dennis Willian Hauck says in his book that "even such answers as urine, menses, manure, and dirt would be considered by alchemists to be fitting responses." The correct answer is, of course, the prima materia, or First Matter. He goes on, "even things such as urine and manure also have a ring of truth in talking about the First Matter, since they are things associated with the life force that humans tend to reject or not want to touch. Similarly, the whole concept of the First Matter has been rejected by modern civilization."

"It takes a seed of gold to make gold," and all things have that seed within, the prima materia.

The Thief is made to sweat out his "mercury" which is recycled in the flask until a pure bowl of mercury fills before him. I covered the idea of the extraction of the spirit and soul as steam in my post, Purification: "But the philosophers have described this 'spirit' and this 'soul' as 'steam' (...), and as there is moisture and dryness in man, our work is nothing but steam and water." (Turba philosophorum, Berlin, 1931) I connected it to the symbol of the dove which "signifies the change from the Black Phase to the White Phase," or Nigredo to Albedo. The excrement in the glass container has been on fire (like The Thief) and changing through various states. It sits over a bowl of red liquid, as opposed to the blue on the other side. This may represent the Red Stone and Dry Way/Path of the Great Work, which I believe is the quickest path to the Stone. Next, the liquid extracted from The Theif is collected in a heart-shaped container and added to the excrement which changes through several more phases of liquids and solids such as crystals until it becomes pure gold. The Alchemist: "You are excriment. You can change yourself into gold."

The Thief exits the egg of transofmation and is presented with a vesica pisces shaped mirror called a "looking glass." The Thief sees his reflection and immediately breaks the glass with the lump of gold that used to be his feces. He's exited the egg/ego and no longer is self-obsessed.

compare to "fool" tarot card later on

Next, The Thief and The Alchemist are in a room of mirrors with a small stone obalisk/pyramidion/capstone type object in the center of the room. The Alchemist says: "You broke the looking glass. Now break the stone," and hands The Thief a silver hatchet which The Theif uses to no avial to break the stone open. The Alchemist takes the hatchet and breaks the stone open in one light hit; revealing a hidden crystal sphere in the center of it. (See the image in lower-left of below picture.) He says of it: "This stone has a soul formed by the work of millions of years."

Recently, television station "SyFy" (Sci-Fi) released a two night miniseries, "Alice," which was a new interpretation of the "Alice in Wonderland" story. The world of Wonderland is run by the tyrranical Red Queen who desires only to feel the good all the time, and to accomplish her goal, she extracts positive emotions from enslaved humans from the "real world." These people are called "oysters" because of the "pearls" they carry inside them. The pearls are the emotions, but they are extracted through the soles/souls of the feet. At one point I believe a person who wakes up during the process says "my sole(soul) hurts." The vampiric theft of emotional energy spans several belief systems going from shamaic beliefs to even alien conspiracies. Some believe that our pain is felt as pleasure "through the looking glass" where everything is inverted. So, these entities attempt to cause suffering here so that they feel pleasure there. Fear mongering in our world may be feeding the chtchonic beings of the Otherworld. Careful with what you're sending out into the (Other)world!

The clear crystal "soul" of the stone may reference the book, Mount Analogue: A Novel of Symbolically Authentic Non-Euclidean Adventures in Mountain Climbing. A quote from the novel: "Its summit must be inaccessible, but its base accessible to human beings as nature made them. It must be unique and it must exist geographically. The door to the invisible must be visible." The novel also has a spherical crystal which is called a "peradam," an "object that is revealed only to those who seek it":

One finds here, very rarely in the low lying areas, more frequently as one goes farther up, a clear and extremely hard stone that is spherical and varies in size - a kind of crystal, but a curved crystal, something extraordinary and unknown on the rest of the planet. Among the French of Port-des-Singes, it is called peradam. Ivan Lapse remains puzzled by the formation and root meaning of this word. It may mean, according to him, “harder than diamond,” and it is; or “father of the diamond,” and they say that the diamond is in fact the product of the degeneration of the peradam by a sort of quartering of the circle or, more precisely, cubing of the sphere. Or again, the word may mean “Adam’s stone,” having some secret and profound connection to the original nature of man. The clarity of this stone is so great and its index of refraction so close to that of air that, despite the crystal’s great density, the unaccustomed eye hardly perceives it. But to anyone who seeks it with sincere desire and true need, it reveals itself by its sudden sparkle, like that of dewdrops. The peradam is the only substance, the only material object whose value is recognized by the guides of Mount Analogue. Therefore, it is the standard of all currency, as gold is for us.

So, this "Soul-Stone" is the equivalent to "Gold" which is the end-result of the alchemical work. Mount Analogue (and the peradam) "can only be viewed from a particular point when the sun's rays hit the earth at a certain angle." Kinda like a rainbow, huh? "Peradam" can be arranged into the anagrams: "A Red Map," or, "Read Map." Adam of the Bible means "red earth," so the red map of the red earth is Adam, the human microcosm, and we "Read (the) Map" to find the treasure, per Adam. Interestingly, the peradam has already been seen in the movie as it lies at the end of the necklace of The Prostitute (who walks around with an ape "ancestor" of Adam/Man: "This stone has a soul formed by the work of millions of years".

The Alchemist takes The Thief into the Tarot Room and tells him, "The Tarot will teach you how to make a soul." There appears to be 12 large Tarot card paintings on the 12 walls of the room. These are all original Alejandro Jodorowsky paintings, as are other works of art in the movie, and are presumably designed based on his intimiate understanding of the original Marseille's Tarot. Here again we can see his use of red and blue to indicate duality.

click for larger

I'll let you guys meditate on the paintings without my interference. The floor of the room has a lotus with a triangle with a circle in the center. The Theif lays on the floor while The Alchemist adorns him with 4 symbolic items representing the 4 suits of the Tarot. He lays a Wand/staff between The Thief's legs to represent a phallus, and says, "To know." Then a Sword along the spine (in front) with the words, "To dare." Then a Cup/chalice in front of his heart with the words, "To want." And then a Pentacle/disk upon The Thief's brow with the words, "To be silent."

Next they are in the same room which now has a vulture seated upon the back of an bull or ox which has a symbol drawn upon it's side which seems to be the Hebrew letter Teth which means: serpent. (I mentioned this symbol in a previous post: The Journey Back Home.) The letter is also under the belly button of The Written Woman, perhaps as a hint of the kundalini. On the Andean festival of Yawar,a condor is tied to a bull, the condor represents the Andean people and the bull the Spanish. The bull struggles until it dies and then the condor is set free to fly away symbolizing the freeing of the native Andean people. The Alchemist explains to The Thief, "The same force the vulture uses to seize the ox, is needed by the ox to receive the vulture." (At least that's what I heard through his thick accent!) Sort of an equal-but-opposite reaction there. The vulture has been shown by me in a previous post (Opening the Stargate) to represent "the power of reconcilliation (after the serpent who represents dissection). In Alchemy, the subject of the work is first broken down into its individual parts, purified, and then put back together in a more perfect, or more evolved state."



Continue this series with part 3 here: The Holy Mountain - Cauda Pavonis

The Holy Mountain - Nigredo

"The object in life is not to be on the side of the majority, but to escape finding oneself in the ranks of the insane." - Marcus Aurelius

"Cinema is truth 24 times a second." - Jean-Luc Godard

"What truth?" - Neo, The Matrix

Now I could jump right into an hour long discourse on this poster, but I'd rather follow the movie scene by scene and let the pieces naturally fall into place. The movie opens with a drunkard and theif laying in the dirt in a pool of his own urine with his face covered by (The Lord of the) flies. This character is known only as The Thief, so that's what I'll call him from here on out.

he's getting buzzed in more ways than one!

He is befriended by a multiple amputee dwarf with The Hand of Power symbol attached to his back. It reminded me immediately of the Five of Swords Tarot card from the Minor Arcana. The Five of Swords is called Defeat and suggests self-interest and discord and "intellect enfeebled by sentiment" in the Thoth deck. The Dwarf (as he will now be called) and The Thief form a friendly relationship, and the tarot symbolism will become apparent later in the film.

A panther/mountain lion also walks by the passed-out Thief, possibly a hint at the mystery-school's penchant for wearing panther skins/golden fleece. Near The Thief are also two The Fool tarot cards, hinting at there being three Fools laying in the dirt including The Thief. There is also a frog near the cards which may parallel the crocodile at the bottom of some The Fool cards, and the alchemical symbolism of the initial black stage, Nigredo, "the corruption that must take place before growth."

A group of young naked boys (with their genitals panited green) run up to them and one pulls a flower out of the left palm of The Thief. (The "Spirit Palm" symbol is often mentioned at the Black Dog Star blog.) The highlighted palm of deities such as Buddha and Jesus indicate the chakra point there, as well as the Stigmata wounds of Jesus. Here the nail is replaced with a flower, and The Thief has been "de-flowered!" I've mentioned before at this blog that the act of sex, specifically deflowering of a virgin, is an initiation, and often shares symbolism with higher initiations. "Nail" (Hebrew letter V/#6) is a nickname for Old Nick, Satan, and here Satan has been replaced with a Flow-er, a possibly LucyFur feminine menstrual symbol of life springing out of death (or in this case a passed out Jesus look-alike); the animating of carbon copies of God. Similar symbolism is found in an alchemical picture of a crucified serpent; beside the serpent is a wilting flower and next to that is a dead tree stump with flowers growing out of it. Jesus is also symbolized by a flower on a cross in the symbol of the Rose Cross.

In the group of the naked boys is one with a crocodile costume (paralleling the frog near the two The Fool cards, one of which even says "le crocodile") indicating perhaps the Egyptian god Apep, the destroyer who attempts each day to swallow Ra's sun barque as it travels the heavens. The solar symbolism becomes more clear as The Thief is tied to a tau-cross and stoned by the boys. The Thief on the cross is Jesus according to some traditions which saw Jesus as the theif of the ineffable name of God (stolen by him during his Egyptian initiation), and as the thief of the Torah scroll from the Temple which Jesus tried to decode using the Name of God in order to give the Secret Mysteries to the masses. (Big mistake apparently. What use do the (m)asses have for wisdom?) The two other Fool cards now come into focus as the other two fools on the crosses flanking Jesus/The Thief. This all takes place in front of a cave which indicates the death and resurrection of Jesus. The Thief screams at the boys and they run, then he almost stones The Dwarf but decides against it, and they share a joint (So, The Thief gets "stoned" in more ways than one!), and then they both leave together towards town.

gettin' stoned

As The Theif and The Dwarf enter the town, a bus load of dead and bloody troops drives past, and they walk past a line of indian women ("indian" as opposed to the lighter skinned descendents of Spanish blood) trying to iron out blood stains in the soldiers clothing at gun point from soldiers behind them. All the soldiers wear full gas masks and carry rifles. A firing squad executes a group of anti-war student protesters who bleed black blood. In these early scenes in the movie, we can see Alexander Jodorowsky's vivid commentary on religion and war. Next a group of soldiers marches down the street holding up crucifixes with skinned and splayed open lambs, clearly focusing attention on the worship of bloody scenes of torture by the Catholic Church, and how soldiers are often brainwashed into thinking they're doing gods work by killing those of darker skin (the indians), or of different (and dangerous!) religious ideologies.

march on christian soldiers

All the executions are public and are attended by tourists who takes pictures of themselves near the piles of dead bodies. We can see how war was turned into entertainment during Vietnam, and instead of being deterred, people today are so desensitized that they play the song "Let the bodies hit the floor" set to scenes of American soldiers blowing Iraqis and Afghanis to unidentifiable little bits. In addition to the bread and circuses, the gladiator games (televised war) keep the public distracted from the real problems in their own country while brainwashing them into fearing imaginary enemies rather than the real enemies who are the news(/spell) casters, political elites, and our own darkside which goes along with it freely.

A soldier grabs a random tourist and begins to rape her as she smiles and waves for her effeminate dress-wearing purse-having husband to video tape this priceless moment of their vacation. (Wow, Jodorowsky was ahead of his time!) He says "watch the birdy" to his wife when he takes her picture, which traditionally means check out this middle finger I'm pointing at you (to "flip someone the bird"), but also tells us to watch the birdy because birds have been flying out of the bullet holes of the executed protesters. I think this symbol was also used in Jodorowsky's El Topo, and it is also used in The Fall when "The Mystic" is being killed and birds are pouring out of his mouth. In Egyptian symbolism the bird is connected to the soul and to Isis who became a (blue?) bird and flew around the pillar which encased Osiris.

fun for the whole family

The Thief and The Dwarf get hired by a group of performers, one of whom wears a top-hat with a Nazi swastica on it. They help put on a show called "The Great Toad and Chameleon Circus" which shows a reenactment of the Conquest of Mexico by Templar-cross-bearing Spanish ships and soldiers. The three ships may symbolize the Nina, Pinta, and Santa Maria, the ships of Christopher Columbus. Jodorowsky would enjoy the double meaning of the Santa Maria, or Saint Virgin Mary, conquoring Mexico with it's religious suppression. German marching music is played as the "Spanish" toads conquor Mexico, some dressed in the costumes of Catholic monks. As the model city of Mexico is blown apart, The Thief croaks like a frog/Spanish conquorer/Jesus.

the conquest of mexico

Three men dressed as Roman centurions and one dressed as the Virgin Mary sell minature Christs. One tosses dice symbolizing the soldiers who drew lots for Jesus' clothes. A rich tourist buys a large cross but when he tries to carry it the Mary-Man makes The Thief carry the cross for him. (Hmm, Mary-Man: "Robin Hood and his Merry/Mary-Men"?) The Mary-men are eating right out of a skinned bull (one is even sitting inside the animal), and they are all obese (on the excesses of their "Roman"/Western civilization). The bull is an ancient goddess symbol going back to more egalitarian civilizations. The bull also symbolizes the European Spaniards to the South Americans. Here the Roman/Western/Christian soldier guts the past to feed the corpulent and cruel future.

a woman places a heart over her heart

They get The Thief drunk and carry him into a storehose of food which has many square boxes with X's spray painted on them (X-Boxes which are synonymous with a soul trapping gird/matrix). They lay The Thief out in the iconic Jesus-on-a-cross pose and cover him with grease from the belly of a pig, they then proceed to cast a mold of his body and to use to it to produce many paper mache copies. The Thief wakes to find that he has been crudely counterfeited and screams in such a way that you cannot not feel is pain. Imagine the horror Jesus must feel to see that he has become a mass produced novelty item which causes people to focus on the messenger and not the message ("mass produced," "Christian mass"). The Theif destroys all but one copy and leaves with it.

Next we see a group of 12 prostitutes in quiet contemplation of Jesus in a small church. A common slander of Christians is that they histoically took in (and had their ranks filled with) prostitutes and criminals. Mary Magdalene was accused of being a prostitute who had reprented her sins and become the favorite desciple of Jesus. In defense of the church's approval of prostitution, St. Thomas Aquinas wrote: "If prostitution were to be suppressed, careless lusts would overthrow society." The whores vary in size, shape and age, one being around 8 years old. Another one, called The Prostitute from here on in, has a chimpanzee with her. The name "chimpanzee" refers to two species of ape, both in the genus Pan. Pan as you well know is the Satyr/Faun, the god of sexual excess who hung out with nymphs and was also the god of shepards and flocks (think of the Christian symbolism of the flock and shepard); he was also a bee-keeper which brings to mind an orderly Borgesque society. He has also been connected to Oz and the number 77 via Aleister Crowley and Hebrew gematria.

The whores mingle with potential customers in front of the church. An old man with a false left eye calls over the young whore and takes out his false eye and places it in her hand and then passionately kisses her hand. There's plenty of one-eyed symbolism, such as The Great Seal of the United States of America, or deities such as Odin giving his left eye to the foutain of wisdom explaining why it was dimmer than the right eye (moon vs. sun), and the idea that God is one-eyed because he's symbolized by the single solar orb. Here we have an old man, God the Father, giving his lunar eye to a child(virgin)-whore.

The Thief meets the group of whores who all laugh at him except for The Prostitute who cleans the paper-Jesus which is suddenly covered in green paint, and annoints it's feet (like Mary Bethany, sister of Lazarus/Osiris, which would make her Nephtys or Isis). When she looks at The Thief's face, she flashes back to the Jesus statue in the church she was just in. The group of whores, The Thief, The Dwarf and The Prostitute (with chimp/Pan in hand) all walk off together.

They walk past an outdoor dance between masked soldiers and citizens, all of whom are men. The band supplying the music is headed by a woman dressed as The Devil (wearing all red, and having devil horns); Lucifer/LucyFur, the equal but opposite counterpart to the male Christian God. The decorations for the dance are all black and white. In a secluded corner a soldier and his dance partner get intimate. The Thief walks through the dance into an old decrepid church with a worm-ridden bible and where the statue of Jesus is missing. The Theif puts the last paper Jesus in it's spot. He then notices a bed on the ground with an owl perched upon the headboard. He removes the sheet to find a priest/Pope laying in bed with the missing statue of Jesus. The Pope speaks only in animalistic screams. This convention was used in El Topo as well, where women had men's voices, and vice versa, and some only made animal sounds. The Thief is kicked out of the church with his paper-Jesus, and he cries and bites and tears at the face of the paper-Jesus which is made out of bread (?), as in the Bread of Life which Jesus asks his desciples to consume.

the material prison where predator and prey act out their Forever dance/War

The next scene has The Theif tieing a large group of red and blue balloons to the feet of the paper-Jesus which float away with Jesus hanging upside down. The colors red and blue are used by Jodorowsky a lot, seemingly in place of black and white, but representing more than duality. Later we see these colors embedded in most of his Tarot imagry, and a scene where they seem to indicate the Red and White Stones of Alchemy. Many will be reminded of a much later film, The Matrix, which used red and blue to imply that one was "awake" or "asleep" with reguard to how they see the world. Unfortunately, red and blue pills is no different than Coke-a-Cola or Pepsi Cola, Democrat or Republican; yet another dialectic trap. Amazing how Jodorowsky sends the paper-Jesus floating away with both halves of this dialectic, long before it became a cultural meme. This scene takes place at the cave where The Thief was crucified and stoned. Now there is a toppled and broken obelisk with a sun drawn on it near it's base. The sun on the face of a 3D cube as well - look closely. And a 3D cube, as we all know, can be unfolded to reveal a cross. The obelisk may represent The Tower card of the Tarot, which will be covered in the next part(s) of this mini-series. The whores spread out in a crescent shape and the naked boys with green genitals group together opposite the whores in a bizzare rendition of a possible symbol of the crescent and star. The Dwarf and The Prostitute each stand off by themselves; the two directions The Thief must choose between later in the film. The paper Jesus floats towards town and towards the second part of the movie...

Well, that does it for Part 1 of this series and the movie it's self. Continue reading part 2 of this series of posts here: The Holy Mountain - Albedo