Friday, December 19, 2008

Opening the Stargate via Gremlins

Just for fun, let's see how many different synch-topics I can connect the Gremlins movies to... Almost all the links in this post are to other posts about various synchromystic or otherwise symbolic themes. If you're not already familiar with all of them, then please click the links, but I warn you - there's a lot!

Gremlins opens with the familiar Warner Bro's sheild. Gremlins 2 goes a step further by bringing back the long forgotten WB cartoon intro featuring the WB logo and tunnel. The cartoon features WB mainstays, Bugs Bunny and Daffy Duck. The familiar WB cartoon logo includes a "birth canal" stargate of concentric circles, and the Warner Bro's sheild. Then from this tunnel pops out the white rabbit, Bugs, whose prescence hints to us that we are about to take a trip 'down the rabbit hole,' whateverthat might be...

WB=23/2, 23/32 enigma

Bugs and Daffy fight over who should be the main guy of the WB logo. The logo consists of golden letters on a blue sheild. One blue shield I'm familiar with, from a recent post, is the Magen David, or Shield of David, also known as the Star of David - the 6-pointed star is shown in blue on the flag of Israel. (Warner Bro's was started by Jewish immigrants from Poland.) Daffy Duck decides to take over as the one who rides the WB logo down the tunnel, but while trying to get situated, he ends up getting stuck in the portal with his butt and legs facing the audience. Daffy's black butt resonates the Black Star or Black Hole of the center of our galaxy. He stands up and is now wearing the portal as a set of rings around his waist.

Another "black star" is the planet saturn which has always been related to the color black, and to death (the stargate/veil we all pass through). Notice in the above picture, Daffy clearly resonates the "lord of the rings," saturn. The Duck, black star, and stargate all remind me of a movie from my childhood, a notorious bomb, Howard the Duck. The antagonist of that movie is played by Jeffrey Jones, seen here in Stay Tuned with blackstar/saturn imagry:

In the first Gremlins movie Gizmo, a Mogwai and the host for the later gremlins, is in the care of an elderly Chinese man who sells various trinkets from the Orient in his small shop in Chinatown, New York. The Chinaman's son sells Gizmo to an inventer who gives him to his son Billy Peltzer (Zach Galligan) as a Christmas gift. There are 3 rules for taking care of a Mogwai: #1 Don't let them be exposed to bright light, especially sunlight which kills them, #2 Don't get them wet (or else they spawn additional mischevious Mogwai), and #3 Don't feed them after midnight (or else they morph into large green violent gremlins). Also, if a Mogwai has already turned into a Gremlin, and it is then splahsed with water, it will spawn additional Gremlins, instead of Mogwai. The natural language of the Mogwai appears to be that of singing various tones. They are fast learners (like a Ferby) and pick up human language quickly, but are even faster at learning how things work - which is what makes a gremlin so dangerous to a technology dependent world.

The modern idea of the "gremlin" goes back to World War II, where they were blamed for inexplicable malfunctions in aircraft. In Cantonese Chinese, "mogwai" means demon or gremlin. The idea of gremlins has been used in both a Twilight Zone episode ("Nightmare at 20,000 Feet") and the Twilight Zone movie.

Gizmo (zo/oz resonator, also part 2 takes place in NY/OZ) was named by an inventor, presumably after the "gizmos" found in his inventions. It's also interesting to note that the word means "Something whose name is either forgotten or not known." Gizmo must be an alien species, and therefore of unknown origin. If he were a native to Earth, gremlins would have over-run the planet after the first rainfall, then died when the sun rose; he doesn't seem compatible with this planet; though he might be from somewhere deep inside the planet. In part 1, Gizmo is kept inside a locked box. His emergence from it could be seen as a movement into a new dimension, our dimension. In Part 2 Gizmo kept in a small cage, but at the end of the movie he is put back into a box; Gizmo is going back to his world/dimension now, the box is closed and that's the last you see of him.

The first Gremlins film is set during Christmas. Billy Peltzer drives a red Volkswagen Beetle, which is constantly dying; fitting for a solar symbol during winter (red color, and scarab-beetle resonator). The car has a stereo with the name Sapphire XI. Sapphire is a birthstone for September, and XI is the Roman numeral for 11. Also, the radio tunning bar lies between 9 and 11 (9/11):

Billy's dog Barney (real name Mushroom) gets strung up in Christmas lights by the Mogwai which spawn from Gizmo. Billy thinks it was Mrs. Deagle, who hates his dog and threatened to kill it. Mrs. Deagle was intentionally made to reference the wicked witch in The Wizard of Oz: "...and your little dog too!" Billy's mother kills most of the original gremlins. Billy decapitates the second to last with a sword from a twin-sword display on their wall, but "Stripe" gets away and jumps into the pool at the YMCA creating hundreds more. Also, Stripe calls Gizmo, "Gizmo-Caca" which is a CC/KK synch, thanks Bartholomew. After wreaking havok all through the small town of Kingston Falls, the gremlins (some wearing Mickey Mouse ears) congregate at the movie theater to watch Snow White and the Seven Dwarves. Snow White happened to be Hitlers favorite movie, and Hitler even owned a copy of Snow White on film reels. He had a private theater in his mountain top retreat which had a view of another mountain which has a long history of folk tales involving dwarves and elves. Gremlins themselves, in folk tradition, were "elf-like creatures." Billy then blows up the movie theater, but Stripe is again safe because he was out getting candy at a department store. Billy and Stripe fight it out through the department store until finally Gizmo opens the blinds revealing sunlight and killing Stripe. The gremlins are gone... for now.

Gremlins is spoofed in Family Guy episode "The Tan Aquatic with Steve Zissou," which references the movie "Life Aquatic with Steve Zissou," which features a yellow submarine. In the Family Guy episode, Peter feeds his Mogwai after midnight and it turns into Fran Dressure, who plays Mrs. Levine in TV series Entourage. Peter kills her by stuffing her into the microwave! Fran Dressure is also in Spinal Tap, where she forces the band to change their album cover to what ends up being just a plain black square - saturn symbol.

Gremlins references many movies, including The Howling via a smiley face on the fridge. The smiley face topic at the synchromysticism forum sees the smiley face as a death omen, and here in Gremlins 1 the smiley face is seen as Billy gets chicken to feed the Mogwai after midnight, which turns them into the violent gremlins. The town's theatre marquee is showing a double bill: "A Boy's Life" (the working title for Steven Spielberg's E.T.: The Extra-Terrestrial), and "Watch the Skies" (the working title for Spielberg's Close Encounters of the Third Kind). The theater, which gets blown up, is the same theater which Michael J. Fox (as Marty McFly in Back to the Future) smashes into with Doc Browns vehicular time machine (after lightning is harnessed to send the time machine 'back to the future'). In the first Gremlins movie the inventor who buys Gizmo, Mr. Peltzer, goes to an inventors convention where someone in the background disappears in a working time machine (the same one from the movie, Time Machine). Could I get any more stargate resonating themes from this movie? Probably not, so moving on...

The opening aerial shot of New York City was stock footage from Superman.

"New York New York, the city so nice they named it twice" - Brain Gremlin

In Gremlins 2, we meet up again with Billy Peltzer who has moved to New York to work as an artist for industrialist Daniel Clamp. He is living in an apartment with his now girlfriend Kate, and they are expecting a visit from their old friends the Fudderman's who survived the havok in Kingston Falls in part 1. I didn't mention it, but Mr. Fudderman is the source for Billy's naming of the green monsters "gremlins," because M. Fudderman kept going on about foreigners putting gremlins in various pieces of technology like his snow plow and television. Gizmo is back in Chinatown living with the ailing Chinese shop owner who is resisting being bought out by Clamp, who is buying up all of New York City as part of his building projects.

The Clamp Tower, and other branches of Clamp indusries, such as the Clamp Cable Network (3,3,14(5) =11), use the octagonal "C" with Earth being squeezed by the "clamp." Looks to me like Earth is either going into, or being shot out of, the octagonal stargate. The building's address is 101, and the number can be seen on the outside as well as right inside on a "lightning bolt" zig-zag shape.

random hexagonal lights in Clamp Tower.
72 lights in each hexagon (3days=72hours, death/resurrection theme)

The old shop owner eventually dies and the building is demolished and Gizmo escapes into an alley. Here Gizmo is found by indentical twins who work in the Clamp tower, in an office that does genetic research:

Splice of Life, SOL
The "music staff" reads "designer genes"

The Clamp Tower is like the smart building in I, Robot; you give it a command and it will open a door, turn on a light, or move an elevator. However, the building is riddled with "bugs in the system" and everything keeps malfunctioning. It's a monument to Man's ego. The character of Clamp was based on all the typical super-ego personas like Donald Trump and Ted Turner. Billy's power hungry supervisor is named Marla Bloodstone, who is named for Marla Maples, Trumps (ex-)wife. By the end of the movie, Clamp has decided he doesn't want to make super-towers anymore, but places for people, like Billy's small town of Kingston Falls:
Billy Peltzer: Sir, I'm... I'm sorry about the building.
Daniel Clamp: I'm not.
Kate Peltzer: You're not?
Daniel Clamp: For one thing, we're insured for the damages. For another, maybe it wasn't a place for people anyway. It was a place for things. You make a place for things... things come.
All the Gremlin activity, with one excetion, takes place inside the Clamp tower. Gizmo is brought inside by the twins from the genetic research lab, kept inside by Billy who hides him in his desk, and then he is splashed with water by a janitor who is trying to fix a water fountain. (Janitor from Janus: doors, gateways.. It is also the turning point in the movie when he splashes Gizmo and creates new Mogwai.)

When Kate arrives in Billy's office looking for Gizmo, she finds mogwai Daffy (named for Daffy Duck) on the top of the Clamp Tower model playing with some airplane toys located over him. This is a homage to King Kong. (Sorry, I didn't get a picture!). The other new Mogwai venture out into the building and eventually find food (after midnight) at a yogurt stand named Penguins, where one pops out of a bowl of what might be M&M's.

Very soon after, there are gremlins tearing through the many electronical componants of the building. A fire alarm is set off and all the people flee the tower, but because it is still daylight, the gremlins stay inside and wait for night.

In the genetic laboratory, the green-skinned (Osiris/Nature representing?) gremlins find out that they can morph into new gremlin-beings by ingesting genetic material from plants and animals. One drinks a "vegetable medly" elixer and sprouts a garden on his body. One drinks some spider DNA and becomes a huge spider-gremlin, and another drinks and elixer of bat DNA and grows bat wings. This is similar to another alien species, specifically the one in the Alien movie franchise. They take on some characteristics of their hosts, like the dog-alien in Alien 3. All the aliens in that movie are male except for the queen who produces eggs. All the gremlins are male, except for one who drinks a DNA elixer of male+female DNA and becomes a female (or perhaps a hermaphrodite?). They also "grow" accessories such as glasses for the Brain Gremlin, and a long coat for the "flasher" Gremlin. The bat-gremlin is also injected with genetic sunblock and is the only gremlin who ventures outside of the building in the movie. He actually buzzes Mr. Fudderman who is in New York visiting Billy. Mr. Fudderman takes his revenge on the gremlins by pushing this one into a pit of wet concrete. The bat-gremlin then flies to near-by Cathedral of Saint Eva Marie, and rests on an outcropping like a gargoyle.

stargate over the Twin Towers from a Gargoyle cartoon
image from The Blob

Hermaphrodite, Hermes/Thoth resonating?

Hermes-gremlin, left eye, hexagon.
The planet mercury draws a hexagram in it's orbit.

Gremlins2=9 TheNewBatch=11, 9-11. The title is shown over the Twin Towers in the movies opening credits, already pictured (Thanks Adam). In one of the first shots inside Clamp tower, we see a bank of televisions inside the Clamp Cable Network studio, and above this is a clock with it's hands very near the 9 and 11. After people flee the building, the other news networks start to flock to the building to see what's up. Two news crews show up from channels 9 and 11.

Inside the Clamp building, late night movie host "Grandpa Fred," Dracula, (played by "Grandpa" from TV's The Munsters) see's the chaos as his oppertunity to live out his dream as a news correspondant and grabs a Japanese tourist to be his cameraman. Earlier in the film we see Dracula filming a part of his show where he introduces "B-movie" sci-fi flick called The Attack of the Octopus People, which is a real movie called, Octaman. Grandpa Fred wears an Octagonal medal around his neck.

As Grandpa Fred broadcasts, and even interviews the Brain Gremlin, Daniel Clamp prepares for the end times. He pops a video tape into a VCR and plays a tape which was pre-made for the end of the world:
Building Announcement: Because of the end of civilization, the Clamp Cable Network now leaves the air. We hope you've enjoyed our programming, but more importantly, we hope you've enjoyed... life.
From "The uplifting end of the world video scene was included by the filmmakers when they find out that one the news networks actually have such a video prepared to run in case of the end of the world. This video apparently still exists and still ready to run at the final hour."(There are also tapes for deaths of presidents, major disasters, etc.)

At some point in the movie, the gremlins "take over the movie projector" so for a live audience watching the movie when it came out, it would seem that something was wrong with the movie. (Similar to Fight Club where Tyler Durder reminds us that we are not our fucking khakis while it appears the movie projector is messed up.) Then you see gremlins doing shadow-puppets in front of the projector light onto the silver screen. One of the puppets is a rabbit (Bug Bunny again?), fitting for the cross-over of the Gremlins through the silver screen and "into reality," and the other shadow puppet is a profile of Abraham Lincoln, complete with top hat. Why Lincoln? Good question. Phoebe Cate's character, "Kate" in Gremlins spoofs her sad Christmas memory from part one with another sad memory about something that happened on Lincoln's Birthday. In both movies she is harassed by the flasher gremlin, and was apparently flashed when she was a little girl by a man who looked a lot like Abraham Lincon. In Fast Time at Ridgemont High, which also stars Phoebe Cates, their rival schools name is Lincoln High. In Fight Club, Tyler Durder says that the famous person he would fight would be Abe Lincoln. In the new Batman sequel, the police have a list of possible people who could be Batman which is just three pictures: one is of Bigfoot and another - Abraham Lincoln! Abe's assasination is part of a fake "Mentos" commercial in Family Guy, the show which also had a Mogwai sketch. What is the deal with Abe Lincoln references? Anybody? Moving on... The gremlins then put on an old black and white movie which has the title screen: "Sunworshipper Films Presents Vollyball Holiday," a movie about semi-nude, or nude women who play vollyball and go swimming. (Other black and white elements are present in Gremlins such as the "referee" style shirts the waitresses wear in a sports bar in the Clamp building. And when Billy is arrested for trying to shut off the buildings water supply, he is bailed out at the same time that a truck load of mimes is getting arrested.)

Anyways, a movie patron and WWF product placement, Hulk Hogan, stands up and rips off his shirt and tells the gremlins to put the movie back on before he has to kick their asses. In the VHS version of this film, it looks like the VCR or tape is broken instead of a movie screen when the gremlins take over, and this time it is John Wayne who convinces the gremlins to continue the film. Wayne had been dead for 11 years when this was made so they impersonated his voice.

Other interesting things happen before the end. Early on, gremlins ransack Microwave Marge's cooking show, probably a reference to the famous scene of the gremlin which was killed by a microwave in part one. Marge has a hexagonal "atomic" symbol on her apron.

She is also one of maybe 3 redheads in the movie. Another redhead is Billy's supervisor, Marla Bloodstone, who has a gold necklace of a left eye (and part of the face); bloodstones are worn to ward off the evil eye, same purpose as her necklace showing an eye.

Marla and left-eye necklace

Marla with Jolt cola (lightning bolt logo)

She gets caught in a spiderweb made by a spider-gremlin, reminding me of yet another redhead: Mary Jane from Spiderman who rests in a spiderweb. Marla and Kate are saved from the spider-gremlin when Gizmo, imitating Rambo (or Sagittarius), fires and exploding arrow at it, blowing up the spider-gremlin. The spider is eight-legged, and resonates with octopuses, octagonal-stargates, and the heart of the Milky Way and holy grail.

note the 8-legged "bug"
"bugs" in the system, or "gremlins" in the center of the spiral galaxy?

note the all seeing eye

At the end, the plan is to trick the gremlins into thinking it's nighttime so they gather in the lobby, then drop the curtains and kill them all with sunlight. Some clouds come in at just the wrong time and ruin that plan, so Billy has to soak them all and kill them with a gremlin which had been turned into electricity. The gremlins are a really strange bunch of creatures. They grow/multiply in water, but sunlight kills them. They seem almost virus or bacteria like, and they change when drinking the DNA elixers in a lab headed by a scientist obsessed with germs.

Are gremlins just destructive perfect "killing machines" (or machine killers?), like the aliens in the Alien movies? Do they represent a "ghost in the machine," making a mockery of all things made by Man? At the end of part one, the elderly chinese shop owner takes Gizmo back and tells Billy that he is not yet ready, not responsible enough, to care for a Mogwai. Or is it that Man is not yet in control of his demons, and not yet ready to move to the next level of universal responsibility? Some people think it's silly to find all these "synchs" in movies and shows, and is a waste of time. Playing "devil's advocate" I deliberately tried to put as many synch-links in this post as I could, as a kind of comment on just finding synchs and forgetting to find meaning in them. I believe that when the student is ready - the master will appear; which is to say that one can learn great realizations in any moment or activity, but you must be open to it. So, does it really matter how you come to the realization that all things and people are connected, whether it's via synchromystic investigations, LSD, deep meditation, volunteering in your community or whatever? Every-thing could be a teacher if you're willing to be the student, so don't pass up those "a-ha moments" I sometimes get while writing my "waste of time" blog posts!

Friday, October 17, 2008

The Divine Language

------------------ Letters of Light ------------------

I planned on writing this article a while back, but lost interest after another blog got there first. At Live From the Logosphere, in the article, Sacred Letters Sacred Numbers Hebrew and Sacred Geometry, author Indras Net explains the Flame Letters, Cymatics and the language of DNA. Please check it out if you have the time. During this time I was in the middle of Tony Bushby's The Secret in the Bible, which I got pretty much at random last Christmas because I noted a familiar shape on the cover. That shape is the main "Flame Letter" which will be described in more detail below. (Picture of the cover above.) I had first read about the Flame Letters while somehow getting linked over the the Meru Foundation's website, although at the time I didn't really read much about their research and just bookmarked the page for later. As stated at the Logosphere article, the Book of Genesis, written in original Hebrew without spaces or line breaks, creates a mathematical pattern which folds into a perfect Torus/Toroid/3-D Spiral ("donut") shape using number-letter translation. If you then take a sliver of the toroid, from the edge spiraling to the center, you get a curved spiraling shape which when rotated in three dimensions creates every single letter in the Hebrew alphabet. One form of this spiral is pictured below:

same spiral doing Hebrew letters

Quote from Vincent Bridges Green Language of Light at:

...we know that DNA emits a weak form of coherent light that has been demonstrated to work like a communication system between cells and even between larger organisms. In this sense, the art of light is indeed the instrument of the spirit. It is nothing less than the mechanism, the framework so to speak, that allows Mind to exist in the universe. The language of light emitted and received by the DNA may be the original of all languages, the ultimate language of initiation.

Fulcanelli clearly understood this, as he shows when he states that argot, the initiation of the Argonauts, is but "one of the forms derived from The Language of the Birds." This Ur-language, Fulcanelli insists, is the common language of initiation and illumination behind cultural expressions as different as the Christian, the Inca, the medieval troubadours and the ancient Greeks. And traces of it can be found in the dialects of Picardy and Provence, and most important of all, in the language of the Gypsies.

These are stunning assertions. Fulcanelli informs us that the western cabala used by the troubadours and the builders of the cathedrals is based on the language of the Argonauts and the quest for the Golden Fleece. Which in turn is but one application of a vast Ur-language of symbols, derived perhaps from the DNA itself, that unite the global cultures of mankind, from the Inca to the ancient Greeks. And, to top it off, he told us that traces of it can be found in the language of the Gypsies, a fairly obvious reference to the Tarot, long held to be a Gypsy invention. Is he telling us that the Green Language, which is heard according to David Ovason only by those "who have clothed themselves in the skin of the dragon," is simply a symbolic approximation of the information, transmitted by weak laser pulses, coming from our DNA?
According to the work of anthropologist Jeremy Narby, this Ur-language of light is a "forest television" of images in which "DNA is a snaked shaped master of transformation that lives in water and is both extremely long and small, single and double. Just like the cosmic serpent." His assessment agrees with Ovason's comments that only one who has the skin of the dragon, or has become one with the cosmic serpent of DNA, can understand this symbolic language of light.

Could it be possible, by looking at the structure of DNA, to reconstruct this dragon's speech, this green language of light's syntax, grammar and vocabulary? And could it be, as Fulcanelli suggests, that fragments of that original language of light can be found in the divinatory systems used by all nautes, shaman and initiates?

Language, Light, Color, and Matter are all connected through vibration or frequency. Any sacred language worth that title should combine these elements somehow. The language of creation, the argotic language of angels, should have some property which is in accord with elements of creation; and I think that the Golden Mean, and it's resulting spiral, is a good a element as any.

One candidate for an angelic language is the Enochian langage channeled by Dr. John Dee and Edward Kelly. The language shares some similar shapes with Greek, though the phonetics of the letters differ from their Greek counterparts.
The squares of the Liber Logaeth, or the "Book of the Speech from God" as Kelly called the great book of his vision, did indeed form the basis of a new series of 49 invocations dictated in the spring of 1584, while Dee and Kelly were in Cracow, Poland. Unfortunately, the details of how this version of the Enochian language developed from the squares is very unclear. All we can be sure of is that it was generated somehow out of the previous tables and squares, and this time a translation was provided right from the start.

With these translations, we begin to find a real language emerging. The grammar and syntax are similar to English, perhaps because of Kelly's unconscious linguistic processes, but vocabulary elements, roots and prefixes and case endings, are not directly derivable from English, Greek, Latin or Hebrew. Some words suggest Sanskrit and ancient Egyptian roots, languages completely unknown to either Dee or Kelly.

In fact, in the earliest sessions on the Sigil of Truth, we find that the name of the elemental king of fire, generated by following a symbolic pattern around the letters and numbers on the rim of the seal, is a perfectly good phonetic rendering of an ancient Egyptian phrase. Following the pattern, which was dictated several years after the Sigil itself, we produce the name Oheooaaatan, pronounced Uh-heh uh-ah-ah ah-ton.

In hieroglyphic Egyptian that becomes uha uhah aton, the very phrase in one of Ra-Harakte's titles, translated as "the penetrating and destructive power of the sun's disk," from which Amenhotep III took the word Aton and turned it into a new definition of divinity. Before we dismiss this as a coincidence, we should note that the elemental king of earth, derived by the same method, renders as Tha-ha-oo-teh, or simply Tehuti, or Thoth to the Greeks.

This is simply astonishing. Phonetic Egyptian did not even exist as a concept. Athanius Kircher declared in the 17th century that all hieroglyphs were symbolic rather than phonetic, and no one thought otherwise until Champollion in the early 19th century.

Some really great descriptions and insights into Enochain at The Hidden Agendas blog, here and here.

So is there a Divine language? Like the one Milla Jovovich speaks in Fifth Element, language that is inherent in this universe due to mathematical properties, a language we would expect angels to speak? One which may have influenced the development of modern alphabets?

------------------ The Book of Thoth ------------------

the pillars of initiation, the veil of the mysteries, and the Tora(h)

Lewis Spence's Encyclopedia of Occultism:
The Gypsies possess a Bible, yes this volume is called the Tarot which is the Bible of the Bibles. It is a marvellous book and immense antiquity is claimed for it. Under the names Taro, Tora, Rota, this collection has formed successively the basis of all the ancient peoples.
Tony Bushby (The Secret in the Bible) claims that the original 22 Tarot cards relate to Psalm 119, 22 descriptions in the Book of the Dead, something called the Divine Scale, as well as a 22 stanza rhyme given to him by an old Gypsy woman called the "Gypsy Secret," and 22 major locations at Giza (most underground or not officially there). But most important is that they relate to the 22 Hebrew letters. The letter shapes, namely the Flame/Serpent Letter shapes, were secretly put into the pictures of the Tarot cards, and these cards and shapes were what Ezra used when writing the Torah. Each of the 22 verses of Psalm 119 have 8 lines each which begin (in Hebrew) with each letter in the alphabet in succession; so the first 8 lines start with Aleph, then the next 8 with Bet, etc. Passages from this Psalm also relate to each card.

The 21 Tarot cards, without the unnumbered or zero card, can be split into 3 groups of 7 so that group one has cards 1,4,7,10,13,16,19 and series two has 2,5,8,11,14,17,20 and group three has 3,6,9,12,15,18,21. Each card in a particular group relates to the other cards in that group. Specifically group one cards all add to "1." 1=1, 4=1+2+3+4=10, 7=1+2+3+4+5+6+7=28(=10). The numbers in the other two groups add to 3, 6, or 9. There are also some other interesting number patterns, but the only thing I think it important here is how the cards split into groups of 3, and the second and third groups relate to 3, 6, and 9. These three numbers will come up later when I talk about musical tones.


------------------ The Serpent Who Fell to Earth ------------------

The following information I got from Tony Bushby's The Secret in the Bible.

The Egyptians revered the pyramidal shaped Benben stone which was made of "star" material, and "came from the heavens." The Benben was housed at the Temple of the Benben, at Heliopolis. The Benben was associated with the Benu bird, or Phoenix. Great mystery surrounded the interior of the stone, which may not have been a stone at all since people could apparently see into it. A relief carving at Abu Sir shows workers dragging a illuminated Benben into place, with the words "pure light," or "white light," or "white gold" written under it. At some points in time the Benben sat in a temple for it; sitting on a square base, making it not only the first pyramid, but the first obelisk as well. The Sumerians had great plans for stealing it and even constucted a very expensive temple to house it (with an amount of jewels to rival the Temple of Solomon...). The Sumerian king was told by god to make his temple as strong as the "House of the Serpent," an old mystery school name for the Great Pyramid. The Benben eventually made it's way back to Egypt. 1350 years after it was stolen, Pharaoh Pi-Ankhi goes to view it in it's temple:
The king Pi-Ankhi mounted the stairs toward the large window, in order to view the god RA within the Benben. The king personally, standing up, and being all alone, pushed apart the bolt and opened the two door-leaves. Then he viewed his father RA in the splendid sanctuary of Het-Benben.
From the eye wittness accounts of the Benben, it would appear that it was a see-through crystal, probably in the shape of a miniature pyramid, and it became illuminated by the sun - revealing the 7 colors seen in a rainbow or crystal when light is refracted. The colors formed a twisty band of light starting at about mid-point in the Benben and ending at the top. This spiral of color was known as the Rainbow Serpent, and was remembered by Austalian Aboriginal people by a wooden staff with two multi-colored serpents, called the Sky-Serpent, twisting around it, like the brazen staff of Moses. The aboriginal people (of Oz or possibly New Zealand, I forget) maintian in their oral traditions that their ancestors were the people who built the pyramids. (Some ancient Australia and Egypt connections here.)
Egyptian Book of the Dead,
Hail, shining one, above the temple of the Gods in visible form... swirling above the white Temple in the sand.

Book of Enoch,
...and he drew nigh to the large structure which was built of crystal... and containing tongues of flame... and the aslant walls of the structure were covered with a tessellated flow of crystal... and it's base was of crystal.
There have already been numerous websites and blogs detailing the amazing historical significance of the double-helix DNA serpent shape, and here is just one more example; perhaps even as the origin for that symbolism.

Bushby makes the claim that the spiral of color can be seen in any clear model of the Great Pyramid built to scale; same angles but with a pointed top. While I don't have a model pyramid to test this seemingly exaggerated claim, here's a neat picture of a model pyramid photographed with a vortex:

Kirlian photo of model pyramid vortex
The uraeus is the Naja of Egypt, the dreaded though peaceful and timorous cobra, dangerous for its spit and deadly for its bite, but only if it believes itself attacked. The snake is the symbol of duality: It separates the right and left sides of the brain. Likewise, the nervous system is dual: sensory or motor, active-solar through the sympathetic, or passive-decontractile through the vagus or parasympathetic. This dual aspect is human; it is thus symbolized by two uraei, or sometimes one uraeus accompanied by a head of Mut, the vulture, symbol of hatching femininity.

Old maps show that Cairo was originally called Babylon. Could it also be the real location of the hanging gardnes, or even the Tower of Babel - the place where Mankind was united by a common language? The shape of the rainbow serpent inside the original Benben is that same spiral mentioned in the opening paragraph which was the basis for Hebrew and other letter forms which were passed down into the alphabets we know today. The 5 books of the Hebrew Bible, or Old Testament in Christian Bibles, is considered Holy and special, and there is a rule that nothing can be added or subtracted from it; so it has remained the same since it was written. Here are the 22 different rotations of the Rainbow Serpent:

"Woe is he who looks only at the garments."

Ezra, a priest and scribe lived during the Babylonian Exile and was a Panther Adept in the Egyptian Mystery School. He claimed to have had seven visions of God where he was told to record the 'secret of the ages' in a scroll. He and his scribes retreated to Mount Horeb/Sinai where: "the Most High gave understanding to the five men and they wrote what was dictated in order, in characters they knew not... And so they sat for forty days." In that time they wrote 94 books, 24 of which were for the worthy and unworthy alike, while the remaining 70 were only for the wise. (A couple books were combined in some countings so that there were 22 books, same as the number of letters in Hebrew.) It doesn't matter if there's inconsistancys or things which seem totally unrealistic in the Bible, since it's not the particular face value reading which is important, but the very letters they were written in, and their order of arrangement. Notice above I bolded "Panther Adept." In some theories of Jesus, it is beleived that his name Yeshua Ben Panthera (Joshua, son of Panthera) comes from his fathers name, or that the name reveals that he was a Panther Adept in the Egyptian Mysteries. In Jewish accounts of Jesus he stole the Torah scroll from the Temple and along with the Secret he snuck out of Egypt, he used them together to preform miracles. For this he was stoned to death and hung from a tree.

Egyptian high priests wore animal skins of lions, panthers or leopards as a symbol of their attainment of high degree in the mysteries. Leopards breaks down into Leo (lion) and PaRDS. The letters PRDS are also used to signify the four levels at which one can read the Torah: Pshat, Ramaz, Darash, and Sud. Each level increases in intuition and decreases in surface level interpretations. The first level, Pshat, is the level most people read the Torah and Bible at. Noah survived the flood in a wooden ark with 2 of each species of animal, Adam lived for over 900 years, etc. Next is Ramaz, meaning a hint; a hint of something more. Then Darash (or Dsh), using intuition to see the occult areas of the Torah. And finally Sud, which means secret, and Sud level reading was kept secret from all but the intiated.

An image I made of the Flame letters and Hebrew for PRDS with gematria

Using Sud, one can reach a level of deep inner mystery, a personal experience known as the Paradise Experience, or Pardes, from the four letters PRDS meaning paradise. Its like a journey into another dimension, heaven, without needing to undergo the traditional death of the body. Although, it is claimed that some people who have rushed into a Paradise experience have died or become really messed up as a result of not having the proper foundation for the journey. The same can be said about people who prematurely raise their coiled serpent, Kundalini, through their 7 chakras too early, and without the proper discipline. Rabbis have learned how to use the Torah to induce ecstatic experiences - mystical states - at will, whenever they want. This is a result of the power of the Rainbow Serpent Letters which make up the Torah. It's use can 'lift the veil' and bring one 'face to face with God.' This 'near death experience' gives one the knowledge that death is not an end, and that we are immortal. This is a pretty big secret, and one which is guarded by religions, so that only through their institutions can one 'go to heaven' and live forever. John Dee's angelic messengers who gave him the Keys of Enoch (a man who walked with God while alive) apparently told him that Jesus was only a man, and that reincarnation is real. If the soul reincarnates, then it isn't destroyed at death.

The five books of the Torah/Bible have all you need to meet with God face to face, the Gospel of Thomas: "...there are five trees in Paradise which remain undisturbed summer and winter and whose leaves are never changing. Whoever becomes acquainted with them will not experience death."

------------------ Cymatics ------------------

Also mentioned at the Logopshere article is cymatics and the Hebrew language. The vibratory science of Cymatics reveals the special nature of the Hebrew language, as the letters apparently create, through the vibration of their spoken sounds, thier very shape in a medium such as sand on a vibrating plate.
In 1967, the late Hans Jenny, a Swiss doctor, artist, and researcher, published the bilingual book Kymatik -Wellen und Schwingungen mit ihrer Struktur und Dynamik/ Cymatics - The Structure and Dynamics of Waves and Vibrations. In his research with the tonoscope, Jenny noticed that when the vowels of the ancient languages of Hebrew and Sanskrit were pronounced, the sand took the shape of the written symbols for these vowels, while our modern languages, on the other hand, did not generate the same result! Hans Jenny wondered if the vibrations of these sacred sounds could actually manipulate reality, or even heal a person who is "out of tune."
Dr. Jenny Cymatics:
"Amongst his more amazing findings was the discovery that when AUM is sounded the shape produced is that of the ancient symbol for AUM (the Sri Yantra). This suggests that the ancients knew something! Perhaps when sounding in meditation, the vibration created the form in their minds. Hebrew, Sanskrit, Egyptian and Tibetan are generally considered to be sacred languages, that have the power of shaping reality. This suggests that by sounding sacred texts, by singing sacred vowels, our cells resonate into a more coherent shape, in which our energies are synchronised with those of God / Universe / Source."

cymatic-created sri yantra (top), compared to the traditional design (bottom)

Sri Yantra Click for a java applet which lets you make cymatic-like pictures. I set the options: display 2d only, turn down the speed and turn up the dampening and turn up the resolution and frequency display. Then click the little boxes to select the frequency, combine to create patterns. You can press the "stopped" button at the top to freeze it.
Barbara Hero has demonstrated a similar effect of harmonics using a laser and scanner system. Barbara placed a mirror under a speaker system which vibrated the mirror when two different frequencies were created. She then projected a laser at the mirror and the laser was reflected on to a screen, revealing the images created by the sounds. Barbara found that those intervals which were created by the harmonic series created shapes which were geometrically perfect. These shapes, such as a circle, remained stationary as long as the intervals were sounding. Intervals which were not harmonically related created shapes that were not geometrically perfect and their shapes decayed.

Barbara experimented with the human voice using this laser and scanner system. The results were the same. When two people sang notes that were harmonically related, the perfectly symmetrical geometric shapes appeared. This was especially true when the people created vocal harmonics. When the voices created sounds that were not harmonically related, the shapes were not symmetrical.

The potential of the voice as a healing and transformational instrument intrigued Dr. Hans Jenny, whose experimental focus consisted of recording the effects of sine wave frequencies upon inorganic substances. He concluded Cymatics with the statement:

But the real work on what might be called melos, or speech, is still to be done. This brings the larynx and its action in the scope of our studies. And at the same time, we are confronted with origination of vibrations effects, the generative element; we must learn about the larynx as a creative organ which displays a kind of omnipotent nature.
Adam's apple - the key to the Tree of Knowledge - is located right in your throat, or throat chakra perhaps? The throat, or Vishuddha, chakra is the fifth of seven major chakras. It deals with communication and creativity, discrimination and wisdom, and self expression.

------------------ Tonal Sign Language ------------------

I felt compelled to watch Close Encounters of the Third Kind, and quickly realized why! If you've seen it you'll know - the aliens communicate through sounds and colors, and the humans repeat the sounds back using a keyboard, and a large grid of colored lights. The French leader of the research team uses a tonal sign language developed by Zoltan Kodaly.

This site has a short explanation for the hand signs with pictures.

The Meru Research group also uses a sign and gesture language to recreate the Hebrew letters while holding a large model of the spiral in both hands. They liken this to the traditional use of the Tefellin wrap around the arm and hand and suggest that this may be the reason for that tradition. Meru explains their view in an article titled "THE SHAPE OF INFORMATION: How to Talk to an Extra-Terrestrial" They even suspect that traditional dances which typically involve some geometry and specific movments, are also based on this original gestural language. "Scholars investigating natural language tell us that persons blind from birth make gestures that they have never seen, even while speaking to other blind people who cannot see their gestures, and that these gestures are essentially the same as those used by sighted persons." This article suggests that the alphabet had it's origins in Egypt where symbols were simplified; like a picture of an Ox becomes and A (A/Aleph in Hebrew means Ox).

------------------ Occult Genetics ------------------

In An Ancient and Occult Genetic Code, Steve Krakowski connects the 64 symbols of the I Ching to the 64 codons of the genetic code and the 22 letters of the Hebrew alphabet (and their Tarot corresondences) to the 20 amino acids and 2 stop-codon groups of DNA. He used the Hebrew occult system of Qabalah and the Sefer Yetzirah, or "Book of Creation," as his reference.
Interpreting "Sefer Yetzirah" Through Genetic Engineering, Steve Krakowski:

In short, the text tells how The Creator used the numbers 1-10 and the 22 letters of the Hebrew alphabet to create Universe and all the living things in it. The Hebrew letters are molded like bits of clay, placed opposite each other and otherwise manipulated to create, in a magical way, all that exists.

"... Sefer Yetzirah interprets the 'speech' of God in a very clear way. God did not talk to Himself, like an absolute monarch who wills and it is done. Rather, He generated substance, from which He formed letters, out of which he combined 'words', which became things. God's 'speech' was not sound but a modeling of units of clay."

"... the author (of Sefer Yetzirah) maintains that, using his interpretation, one can oneself become a "creator"; though on a much smaller scale. In other words, the Sefer Yetzirah proposes not only an interpretation of 'In the beginning' but also a secret teaching of creative magic. It teaches, properly understood, the secret of Creation and of creation, of the Maker and the maker."

"... the reader is told 'test' and 'explore' (and in some manuscripts also 'know, calculate, and form') - i.e., to try to combine letters and numbers and to 'create' as God did. Such activity was, in fact, known in the Judaism of late antiquity. By it, some rabbis were reported to be able to create small animals and homunculi (animated clay men, who cannot, however, speak)."

So here, in the Sefer Yetzirah, we have a magical text which purports to allow those who understand and use it to create living creatures. This is accomplished using 22 letters which are manipulated like bits of clay into chains that are arranged into complementary parallels and other shapes. This is very similar to scientific descriptions of the activity which takes place within the cells of living things. Scientists use the language metaphor to describe these chemicals and their activities. Lengths of DNA and the genes which reside there are refered to as genetic sentences and their chemical components are refered to as words and letters.
So the 22 original Hebrew letters could be used for creation, similar to the way DNA is manipulated to change a genetic sequence, and the Sacred Languages may even have the ability to alter DNA to repair damage and heal illness, as well as to possibly manipulate reality on other levels.

Mentioned in a previous section is the dual nervous system, the active and passive; the passive system is the vagus nerve which connects to all the major organs. If this nerve bundle can be stimulated though resonant frequencies, perhaps by intoning AUM, then couldn't it conceivably have some positive impact on those organs or overall health in general?

------------------ The Sound of Music ------------------

When Dr. Joseph Puleo was researching tones, he was directed to a Monsignor at a university in Spokane WA, who was head of the mediaeval department. Following a 20 minute conversation, they had this discussion:
"Can you decipher Mediaeval Latin?'
'And you know the musical scale and everything?'
'Well then, could you tell me what "UT - queant laxis" means?'
After a brief pause, the Monsignor quipped, 'It's none of your business'
Then he hung up."


UT queant laxis
Resonare fibris
Mira gestorum
Famuli tuorum,
Solve polluti
Labii reatum,
Sancte Ioannes.
"So that your servants may, with loosened voices, resound the wonders of your deeds, clean the guilt from our stained lips, O Saint John."
A book on Gregorian chants by Professor Emeritus Willi Apel argues that "the chants being used today were totally incorrect, and undermined the spirit of the Catholic faith." ... "one-hundred fifty-two chants were apparently missing. The Catholic Church presumably "lost" these original chants. The chants were based on the ancient original scale of six musical notes called the Solfeggio."
According to Professor Willi Apel, "The orgin of what is now called Solfeggio... arose from a Mediaeval hymn to John the Baptist which has this peculiarity that the first six lines of the music commenced respectively on the first six successive notes of the scale, and thus the first syllable of each line was sung to a note one degree higher that the first syllable of the line that preceded it. By degrees these syllables became associated and identified with their respective notes and as each syllable ended in a vowel, they were found to be peculiatly adapted for vocal use. Hence "Ut" was artificially replaced by "Do." Guido of Arezzo was the first to adopt them in the 11th century, and Le Marie, a French musician of the 17th century added "Si" for the seventh note of the scale, in order to complete the series."

Further research states that, "Pope Johannes later became a saint - Saint Iohannes - and then the scale was changed. The seventh note "Si" was added from his name. "Si" later became "Ti." These changes significantly altered the frequencies sung by the masses. The alterations also weakened the spiritual impact of the Church’s hymns. Because the music held mathmatic resonance, frequencies capable of spiritually inspiring mankind to be more "Godlike," the changes affected alterations in conceptual thought as well, further distancing humanity from God."
Interesting how John the Baptist is important in Freemasonry today. Pheonix Freemasonry: "One of the Patron Saints of Freemasonry, and at one time, indeed, the only one," Some think that the Knights Templar and early Masons revered St. John as the real Messiah (and even had his severed head).

1. UT...396 Hz (Center Pillar of the Tree) Liberating Guilt and Fear (396=3+9+6=9)
2. RE...417 Hz (Left Pillar of the Tree) Undoing Situations and Facilitating Change (417=4+1+7=3)
3. MI...528 Hz (Right Pillar of the Tree) Transformation and Miracles (DNA Repair) (528=5+2+8=6)
4. FA...639 Hz (Center Pillar of the Tree) Connecting/Relationships (639=6+3+9=9)
5. SOL..741 Hz (Left Pillar of the Tree) Awakening Intuition (741=7+4+1=3)
6. LA...852 Hz (Right Pillar of the Tree) Returning to Spiritual Order (852=8+5+2=6)

"The regular "C" that we all know of in this culture (which is from the diatonic scale of do, re, mi, fa, so, la, ti, do) was not the 528 Hz frequency "C". Instead, I discovered that a regular "C" vibrates to a frequency of only 512 Hz. Frequency 528, relates to the note MI on the scale and derives from the phrase 'MI-ra gestorum' in Latin meaning 'miracle,' and is used by scientists to repair DNA."

As we look at the six original Solfeggio frequencies, using the Pythagorean method, we find the base or root vibrational numbers are 3, 6, & 9. (Remember that the Tarot cards pattern related to these numbers as well.) Nicola Tesla tells us, and I quote: "If you only knew the magnificence of the 3, 6 and 9, then you would have a key to the universe."

(Following the patterm of notes (396 & 639, 417 & 741, 528 & 852) I wonder if there's more notes that could fit in here using anagrams of the same numbers, which would all equal 3, 6, or 9. Like: 936 or 693, or 147, or 285?)

So, where did the idea to use A-440hz come from? The Nazi's of course! In 1939 Nazi propaganda minister Joseph Goebbels dictated 440Hz as the standard tuning pitch. The pitch was not adopted until 1953 however. This in spite of fact that Professor Dussaut from the Paris Conservatory wrote a referendum that was signed by 23,000 French musicians who all were for the preservation of the A=432Hz. More on the history of that decision here. Project432: "432 is the only resonant frequency that is capable of natually reproducing what is called the "Pythagorian Musical Spiral" its the same sequence of growth that all life follows. It utilizes the formula of "Phi" also know as the "Golden Mean" and is also found in the "Fibonnaci sequence." (Here you can see the difference of A-440 and A-432. At the second Fifth, or E, you get a frequency of 162, close to the golden ratio 1.618. The other frequencys in the octaves of A-432 include many familiar esoteric numbers: 216, 144, 720, 360, etc.)

"1 hertz is a "C" at A-432. The wavelength of this "C" is 186282.397 miles. The speed of light is 186282.397 miles per second! 12 hours * 60 minutes per hour * 60 second per minute = 43200 seconds." (12*60=720, or a Sixth/F# when tuned to A-432. The Kings Chamber in the Great Pyrmaid resonates at an F# (16hz). American Indians tuned sacred flutes to an F#. The radius of the sun is 432000 miles. 86400 seconds in one day (864 is one octave higher that 432))

"This is the chart from the mathematics department at Birkley University showing the natural harmonic frequencies below 1000hz. These are natures frequencies, do you see the pattern? Always moving up harmonically by major 3rds and simultaneously doubling."

1................3.......9....... 27........ 81 ........243 ........729
2 ...............6 .....18...... 54....... 162........ 486
8 ..............12.... 36..... 108....... 324........ 972
16 .............24.... 72..... 216....... 648
32............. 48... 144.... 432
64............. 96.... 288... 864
128............192... 512.
256........... 384
512........... 768

Some other stuff I found at those websites I linked to:

Do 2^41 6,333E+14 474 - Blue D 288
Re 2^41 7,125E+14 421 - Indigo E 324
Mi 2^41 7,504E+14 400 - Violet F 341
Fa 2^40 4,222E+14 711 - Red G 384
So 2^40 4,750E+14 632 - Orange A 432
La 2^40 5,344E+14 561 - Yellow B 486
Ti 2^40 5,629E+14 533 - Green C 512

Dominus "Lord" Absolute
Regina Ceolie "Queen of the Heavens" Moon
Microcosmos "Small Universe" Earth
Fata "Fate" Planets
Sol "Sun" Sun
Lactea "Milk" Milky Way Galaxy
Sider "Stars" All Galaxies

Much more on 432hz and related numbers with their historical significance at this site: "Hence, these proto-Greek roots of music had the sacred tuning of 432hz, long before the Hellenistic artists musical renaissance. That itself is remarkable, since 432hz touches the full twelve scale octaval overtones of all music in creation, whereas Bach's 440hz only touches 8, leaving out an entire section of the complete musical resonance of the universe, which thus remains untouched and unintegrated within the 440 hz music of today. This 8 hz re-pitching of tuning hence makes a universe of difference."

Extra! Bonus! For a limited time, you get all this other information for free!

Well I had compiled some interesting stuff related to the above subjects on my computer, and I realized that others might find it interesting as well. So, here's some extra stuff you might find interesting if you enjoyed the above article:

Flower of Life and Torus spiral

The amazing field of cymatics reveals the vibratory nature of matter and reality. These are some pictures I saved on a hunch just because they looked cool. You can see wave interference patterns and a cymatic-like effect; picture the cup of water in Jurrasic Park vibrating when the T-Rex walked by, and multiply it by a couple thousand:

The last picture may have given it away, these are really close up shots of solid matter. (In the last picture you can see the measurment scale in the bottom left) They are not metal plates covered in salt vibrating to multple tones, or water in a bowl surrounded by monks chanting AUM. They are close-ups of a platinum crystal and the close ups of the tip of a tungsten crystal and platinum needle, respectively. Does this, or does this not, look like something affected by vibration?

I had read about some cymatic experiments which created the shapes of organs in the human body, and that the frequency used to make the shape could then be played to an unhealthy organ, a liver for example, to help heal it. Sort of 're-tunning' the DNA. Also on a similar note, an anesthesiologist found out that when he numbs a person before an operation, what is happening is that the cells in the body become more liquid rather than solid. Cells are a mix of liquid and solid states, and by making them more liquid it was deadening the signals to and from the brain which tell a person that a surgeon digging into your chest is supposed to hurt. The reason why a more liquid environment dulled the signal is that the nerve signals are not electric (or at least not totally electric) but use vibration like if the nerves sing when a signal is being sent. So you can imagine what trying to talk underwater does to the vibration of your voice, this is what was happening when the frequency signal in the nerves was trying to get to the brain from the cells. I don't know how accurate this is, it's just one theory this doctor had, and I'm going by memory here.

In the article above I threw in a picture of the 7 major chakras and the musical notes someone apparently thinks they relate to. And above I mentioned how some organs might gain in health if you stimulate them with a frequency which naturally resonates with that organ. A cymatically create shape degrades with a slight change in frequency, but snaps back into its perfect shape when the right tone is hit; why would it be different for anything else created by vibrating bits of matter like your body? Does the constant bombardment by cell phone towers, radio waves, the humming of electronics and the tone of your television and computer have some adverse affect on your health? Some people seem to think so:

Random quote time: "An article published in the New York Times in 1989 reported 'Is now clear that to 60-Hertz and other LF, the electromagnetic field can interact with cells and organs to produce biological changes.'" (I'm just guessing, but I imagine low frequency electromagnetic fields produce a negative effect not a positive one.)

Additional random quote: "Dr. Alfred Tomatis who spent his whole life investigating the ear, sound, and healing, showed that sound rich in high frequency harmonics actually charges the brain with energy. Sound with low frequency vibrations (eg computer hum) robs the brain of energy - leaving us feeling tired and drained."

Dem bones, dem bomes:
For Tomatis, a major aspect of the therapeutic affects of vocal harmonics lies in the conduction of the bones, which are stimulated by resonance of around 2000 Hz. He says:

"The sound produced is not in the mouth, not in the body, but, in fact, in the bones. It is all the bones in the body which are singing and it is like a vibrator exciting the walls of the church, which also sing."

Bone conduction’s actually amplifies the sound through resonance of the cranium and the skull. According to Tomatis, bone conduction stimulates the stapes muscle of the ear, which he believes is the key to stimulating and charging the brain. Tomatis himself manages with a small amount of sleep, less than four hours a night. He attributes this to his listening to sound, which are rich in high harmonics.

Tomatis has described a phenomenon, which has been called "The Tomatis Effect," that states that the voice can only create and duplicate those sounds, which the ear is able to hear. This means that until you are able to hear various overtones, you will not be able to create them in your voice.

Tomatis found that sounds that contain high frequency harmonics, such as those found in Gregorian chants, are extremely beneficial. It is these high frequencies around 8000 Hz, which are capable of 'charging' the central nervous system and the cortex of the brain. In many of the sacred chants of the different tradition, the main out put of high frequency harmonics are dominant, which offer stimulation to the brain.

I already mentioned Gregorian Chants above, and in the section about "Ut Queant Laxis," but there was more which I left out. (I can't find my quote I saved right now so it'll have to be from memory) Some monks who are known for their Gregorian chanting were told by church authorities to stop their chanting, which they did to noticable adverse health affects. After pleading to be allowed to continue with the Gregorian chants, their health returned to what it was before they stopped. Sounds kinda far-out, I know, but not totally unheard of. There's something called "sick building syndrome" which is sometimes caused by "bad acoustics or infrasound." So if there's a sick building syndrome, couldn't there also be a healthy building syndrome?

Here is a picture I found with frequencies for your body, so you can experiment at home if you want:

Notice in the above image the area associated with the pineal gland, "frontal lobes," in the chakra picture shows it as an A, and here we see the frequency at 440hz! Well I guess the person who made this didn't know about the mathematical perfection of A432hz, so you might want to adjust accordingly. In fact, the whole thing seems to be using another method of tunning, which includes an "h" (which seems to be a "b" most of the time)!? So, here's a picture of a keyboard tuned to A432hz to help you find the healthy frequencies:

A-432hz keys
click image for larger, or save to harddrive

Because it might be hard to know exaclty what frequency to use, here's some quote I saved to my harddrive which gives a vocal exmaple for each chakra-ferquency, something you can feel free to try at home:
Breathe in deeply, expanding your lower stomach as you inhale. I imagine the energy of each breath coming into my body through whichever chakra I am working on, this can help to focus your awareness. You may also wish to add a colour visualisation on each chakra.

The first chakra (Root) (C - 65.41 Hz) - located at the base of the spine. Tone seven times with the deepest "UUH", as in "cup", a very low guttural sound just gently riding on the breath. Stay comfortable with the sound - don’t force it. (Red).

Second chakra (Sacral) (D - 73.42 Hz) - located about 2-3 inches below the navel. Tone seven times using a higher pitched but still deep "OOO", as in "you." (Orange).

Third chakra (Solar Plexus) (E - 82.41 Hz) - located above the navel. Tone seven times using a higher pitched "OH", as in "go". (Yellow).

Fourth chakra (Heart) (F - 87.31 Hz) - located in the centre of the chest. Tone seven times using a higher pitched "AH", as in "ma". This is the sound that embodies compassion. (Green).

Fifth chakra (Throat) (G - 98.00 Hz) - Tone seven times using a higher pitched "EYE", as in "my". (Blue).

Sixth chakra (Third Eye) (A - 110.00 Hz) - located in the middle of the forehead slightly above the eyes. Tone seven times, using a still higher "AYE", as in "say". (Indigo).

Seventh (Crown) (B - 123.47 Hz) - Tone seven times using the highest pitched "EEE" sound, as in "me", you can comfortably make. (Violet or white).

Now sit in a space of silence and receptivity for 10 - 20 minutes to experience the energy. After this If you feel too light-headed tone an "aaaah" to bring the energy back to the heart, then an "ooooh" to bring the energy down to the sacral to be more grounded.

Interesting story time:
Jonathan Goldman tells in his book, Healing Sound, about a mind shaking experience in a completely dark cave in Palenque in Mexico, where his guide asked him to perform harmonious singing. When he began to tone harmonics towards the area the guide has indicated before the lights went out, the cave began to become illuminated, but it was not ordinarily light. It was more subtle, but it was definitely lighter in the room. The outline and figures of the people there could be seen and everyone was aware of it. This experience was one of the more dramatic episodes in his life. It was only later that he began to process the experience and try to understand what had gone on: "I had been able to use sound to create light". His conclusion was: by use of vocally created harmonics, it is possible to resonate and stimulate the pineal gland.

The pineal is rich in neuromelanin, which, according to scientist Frank Barr, is a phase-timing, information processing interface molecule which is a photo transducer. This is a substance which has the ability, among other traits, of absorbing and converting light energy to sound. It also has the ability to turn sound energy into light. Barr believes that melanin and its brain counterpart, neuromelanin, may be the key link between the mind and the brain.

Through stimulation of the pineal gland, neuromelanin is produced. Neuromelanin, a light-sensitive compound triggers the release of a substance which contains phosphorus, a light-producing chemical. By stimulating the pineal gland through vocal harmonics, it may be possible that actual fields of light around the body are enhanced.
The guy in the above story thinks that the light is created by the people and their pineal glands. This reminds me of something I read about monks who, or part of their training, had to be confined to total darkness for a period of several months (I think, maybe less). They had to develop a way of creating light by themselves. What I think happened, though I may be wrong, is that they stimulated either their pineals (like above) or they "opened" their crown chakras, which produced ionized air which lit up the darkness a bit.

Interesting story time again!:
Research by the late Vic Tandy, a lecturer at Coventry University, suggested that the frequency 19 hertz was responsible for many ghost sightings. He was working late one night alone in a supposedly haunted laboratory at Warwick, when he felt very anxious and could detect a grey blob out of the corner of his eye. When he turned to face it, there was nothing.

The following day, he was working on his fencing foil, with the handle held in a vice. Although there was nothing touching it, it started to vibrate wildly. Further investigation led him to discover that the extraction fan was emitting a frequency of 18.98 Hz, very close to the resonant frequency of the eye (given as 18 Hz in NASA Technical Report 19770013810). This was why he saw a ghostly figure - it was an optical illusion caused by his eyeballs resonating. The room was exactly half a wavelength in length, and the desk was in the centre, thus causing a standing wave which was detected by the foil.

If you want to experiment with listening to certain frequencies, then I recommend you download the Branwave Generator (click here to download now from The brainwave generator uses different stereo beats to allow one to create a frequency in the range below normal hearing (~20hz). "Binaural beats are based on two slightly different tones that get mixed inside your brain. The tones can be, for example, 400 Hz and 410 Hz. When these are mixed together, the result is a 10 Hz binaural beat." So one ear hears 400, and the other hears 410, and your brain hears 10. This is mainly used to help with meditation or sleep, by getting the brain to synch up with frequencies used in those activities:

You don't have to do binaural beats, however, you can select "adjust left and right separately" in the sound tab, found in the "preset options" under the tab "Wave." And just set left and right to the same frequency, then just play it in your speakers and not headphones, and see what happens. Here are some frequencies for you to experiment with:

UT - 396 Hz - Red - Liberating Guilt and Fear
RE - 417 Hz - Orange -Undoing Situationa and Facilitating Change
MI - 528 Hz - Gold - Transformation and Miracles (DNA Repair)
FA - 639 Hz - Green - Connecting/Relationships
SOL -741 HZ - Blue - Awakening Intuition
LA - 852 Hz - Purple - Returning to Spiritual

OH/AUM = 136.1 Hz ("The OM sound corresponds approximately to the C sharp in the small octave of the present day tuning system (136 Hz) and corresponds to the 32nd octave tone of the Earth year. In reverse order it means, that by lowering 136 Hz tone by 32 octaves, the resulting frequency will be as slow as the amount of time it takes the Earth to circle the sun.")

Atoms on your body: 1015 hz ("We have to imagine the huge amounts of atoms we consist of. They oscillate at a rate of 1015 Hz and disappear and reappear at their own rate and we have no chance to notice such rapid phenomena. Further more it is very unlikely that all the atoms in our body vibrate synchronously or coherently; presumably only parts or areas are blinking on and off gradually. The key to higher consciousness seems to consist in coherency - to be one. Spiritual masters from different traditions have stated the necessity of being one unit.")

The corresponding Earth notes and concert pitch will accordingly be:
The average day Western pitch G 388.4 Hz 25th octave
The year India pitch C sharp 272.30 Hz 33rd octave
The Platonic year China pitch F 172.06 Hz 47th octave
Boswellic Acid (anti-inflammatory) 66, 116, 165 Hz
Lutein (vision, immune system) 75, 116, 165 Hz
Mild Pain Reliever type one- 24, 56 Hz
Mild Pain Reliever (acetaminophen) 54, 89 Hz
Mild Pain Reliever (aspirin)- 104, 124 Hz
Mild Pain Reliever (ibuprofen)- 65, 94 Hz
Mild Pain Reliever (naproxen) 46, 85 Hz
Reishi Mushroom (immune system-memory) 81, 131, 184 Hz
Rheumatoid Arthritis- 58, 85, 132 Hz
Rhodiola (depression, memory) 136, 164, 233 Hz
Stiff Joints and Muscles- 45, 69, 102 Hz
Stress and Anxiety- 49, 79, 109 Hz
Valerian and Passion Flower (sedative) 115, 175, 225 Hz

French sound healer Fabien Maman suggests that the different notes resonate with the different glands in the body:
C adrenals;
F gonads;
B pineal;
D thymus;
G pancreas;
E pituitary;
A thyroid.

Sun = Frequency of the period of revolution: 32 312 Hz.
Planet Orbiting period (days) Frequency in the 36th octave approximate chromatic tone:
Mercury 87.96 9041 c#-d in the 9th octave
Venus 224.70 3539 a in the 7th octave
Earth 365.242 a tropical year 2177 c#-d in the 7th octave
Mars 686.09 (about 2 years) 1157 c# in the 6th octave
Jupiter 4332.59 (about 12 years) 183 f# in the thired octave
Saturn 10759.21 (about 30 years) 73 d in the second octave
Uranus 30689.6 ca. 84 years 25 g# in the 0 octave
Neptune 60183.6 ca. 165 years 13 below c in the 0 octave
Pluto 90740.5 ca. 248 years 8 c an octave below

Here's a mantra to try too, it reminds me of the alien-hybrid girl in V:The Original Miniseries who speaks Sirian and says "Pre-te-nama" which means peace. Here SaTaNaMa is a mantra: "In Yogic Terminology we would relate to these 5 frequencies as the 5 primal sounds which are Sa, Ta, Na, Ma, Ah, corresponding to: Life, Death, Infinity, and Rebirth. Ah is inherent in each of the sounds of Sa, Ta, Na, Ma. The Biij Mantra, Sat Nam which means "True Name" or "Truth is God's Name" is the only Biij, (pronounced biege as in siege) mantra that can totally erase unwanted subconcious negative habit patterns that we may have picked up from childhood and are no longer needed or wanted. This mantra has the power to change one's destiny if practised for 31 minutes per day for 1000 days." Yikes, that's almost 3 years! Notice how precise it is, 31 minutes, can't miss a day for 1,000 days; who's willing to try? :D

Wierd, I was just messing around with the brainwave thingy, using a steady beat of 7hz, and I was able to hum to a resonant frequency. I started humming low then increased my hum frequency and the 7hz ringing began to slow down and them stop altogether! There was no apparent sound but my hum. Kinda like when people lie in the Kings Chamber in the Great Pyramid and hum. Interesting stuff... anyways, I gotta get to sleep now, have fun experimenting.


What are you saving up to be.. Jewish?